50/50

Jonathan Levine, 2011

50/50 is a touching film, and also quite a memorable one. I saw it first at the cinema and recently watched it again to confirm that yes, this film is definitely worth a watch. I am a fan of Joseph Gordon-Levitt, who stars in this film as 27-year old Adam, diagnosed with a rare form of cancer after what seemed to be a little bit of back ache. His prognosis? 50% chance survival rate. Having flown the nest, and living independently with his girlfriend Adam struggles to tell his overbearing mother and ill father about the disease.

Throughout the film it is not just cancer that Adam has to come to terms with, but he has his good buddy Kyle (Seth Rogen) to throw a bit of fun into the mix and laugh in the face of adversity. The performance from Seth Rogen is slightly toned down from his usual characters, but he definitely brings the humour element to the film. The film is full of some particularly good comedic scenes, for example when Adam decides to shave off his hair before cancer takes it from him, using Kyle's slightly suspicious hair trimmer.

The film also stars Anna Kendrick, Adam's therapist and a junior doctor trying to get to grips with how to approach the topic herself. Adam is reluctant and a bit introvert, but really you sympathise with the character and want to give the guy a hug.

This movie is not going to make you leap out of your seat with excitement, nor will it make you cry your eyes out, it is not the most thrilling but it is very poignant and depicts a normal process that many families have to face. It verges on far-fetched, with the addition of weed cakes being eaten by Adam and his buddies whilst they are treated with chemotherapy, and also the fact that Adam's friend Kyle seems determined to use Adam's situation to pull as many girls as they can. Realistic but bizarre, heart-warming but also sad. The film focuses on the important people in life who will help you through no matter what. Catch it on DVD if you can. An easy watch with a talented cast, well written, original and memorable.

**** / *****

12 Years a Slave

Steve McQueen, 2013

                              

After what seemed like years of waiting, reading Solomon Northup's book, and being teased by the films many award nominations, I finally headed to the cinema on the UK release date of the highly anticipated and acclaimed Steve McQueen film.

The film is based on the book "12 years a slave", a autobiography of Solomon Northups life as a free man, then returned to slavery. I daren't spoil the entire plot but any joy found in the cohabiting free state where Solomon as a black man is well respected, free and has a good life with a young family is quickly dashed. Through a twist of fate Solomon is captured and forced into slavery, a concept alien to him having been born a free man.

From the second he is captured the brutality of the slave trade becomes apparent to us and Solomon (later known  as Platt). The film bravely does not shy away from the horrific acts and circumstances that slaves succumbed to. In many ways it's braveness makes it beautiful. 

The cast portray their characters beautifully and the film has a contrast of close ups and wider shots of the beautiful surroundings in which these injustices occur. One particular scene stood out to me for its bolshiness and also the fact that they let this framed picture of Solomon softly treading on the same piece of wet mud for a whole day go on for a painfully awkward time.

Comes extremely recommended and thoroughly deserving of all awards it has been nominated for.

***** / *****

Anchorman 2: The Legend Continues

Adam McKay, 2013

                             

Have just been to seen the long anticipated sequel to Anchorman. My opinions are mixed. The film brings together our favourites, Ron Burgundy (Ferrell), Brick Tamland (Carell), Brian Fantana (Rudd) & Champ Kind (Koechner) as the comedy unfolds around their reuniting as a news team to take on the challenges of a new national 24 hour news channel. The boys are on top form and come back to glory having gone off in their different, and bizarre ways since the last instalment. 

Possibly the most enjoyable moments in the first parts of the film are Brick Tamlands hilarious interjections to completely unrelated conversations. Having said that from the off set it is apparent that Anchorman 2 is about to fall into the trap of going too far with the comedy and obscure situations in an aim to equal or better the original film. 

Although funny throughout I felt somewhat uncomfortable with some of comedy. I don't mind pushing boundaries but repeatedly falling back on interracial wise cracks and mocking disability became a bit unfunny.

The film has some saving qualities, the introduction of Ron's son turns this film into a journey for Ron and looks at family values. It also shows the start of some now key features in American and worldwide news that we know and love today, even if they do come out of far-fetched situations. 

The film has attracted some big name cameos, Kristen Wiig, James Marsden, Greg Kinnear, Will Smith, Jim Carrey. These comedy stars make me feel bad for uttering the words "average", but I am sure anyone who loved Anchorman will see this and make their own mind up. A bit predictable as indicated by the title: the legend continues. It continues but I don't feel it moves forward.

Worth a watch for a few laughs and to revisit the characters we have come to love but just as you should never meet your idols, I would be wary with your expectations on sequels. 

And Baxter is still as cute.

*** / *****

Big Fish

Burton, 2003

                                

I have been a fan of this film for some time now, but when I dusted off the DVD from my shelf I was baffled to see this is a Tim Burton film. I am sure I have always known that but this film does not encompass all that I have come to know and love of his films. Forgive me if I tar his films with the same brush but I am used to horror, gore, thrilling story lines and cooky, gothic characters. In that respect this film is a breath of directorial fresh air. 

Big Fish is full of Burtons fantastical characters and unlikely situations, and yes there's a one eyed witch and a giant and some circus freaks. As I list these my original point starts to become invalid as these characters aren't too far removed from Burtonland. The new and interesting thing is the time frame of the film. It takes a look back at the life of Edward Bloom as his frustrated son William tries to decifer the fact from the fiction in his fathers life before it's too late.

The stellar cast is headed by Albert Finney (present day Edward Bloom) who despite ailments is full of life, experience and wonder. His fabulous tall tales of the wonder of his life are narrated with such enthusiasm and nostalgia that the viewer starts to wish every word was true.

Flashbacks to Edwards younger days (played out by Ewan McGregor) are a feast for the eyes. Whether it's a perfect town in the middle of nowhere with perfect people, a huge giant called Karl, or a frozen moment in a larger than life circus, the look of this film is that of a fairy tale story book.

What Burton does well in most of his films are hidden life lessons or morals, which each story in Blooms life reveals. One of the final and paramount scenes of this film is emotionally and visually beautiful. Will carries his father to the lake which he often talks about. As they pass characters from Edwards life Will is astounded and the viewers faith in Bloom's tall tales is rewarded. Emotional, bizarre and beautiful this film comes highly recommended as far as I'm concerned.

Edward Bloom is a man with a little bit of something we should all aspire to have: a sense of adventure and belief in the fantastical. The man truly is one Big Fish.

****/*****